Artwork by Iain Baxter&,  Our World Needs a Green Sweep, 2009

Iain Baxter&
Our World Needs a Green Sweep, 2009

painted dustbroom in vacuum-formed plastic
stamped signature, title and date
21 x 19.75 ins ( 53.3 x 50.2 cms )

Price Realized $1,150.00
Sale date: September 15th 2015

Literature:
Marie Fleming, “Baxter²: any choice works 1965-70”, Art Gallery of Ontario, Toronto, 1982, page 12
Alexander Alberro, “Interview with Iain Baxter&”, “IAIN BAXTER& Works 1958-2011”, ed. David Moos, Art Gallery of Ontario, Toronto, 2011, page 19
By the 1960s, Iain Baxter& was using plastic in his works. In an interview with Alexander Alberro, Baxter& discusses the medium: “There were many, many plastic containers in supermarkets, and plastic furniture and all kinds of plastic commodities everywhere. So I decided to work with the common objects of my own time, which were mostly made of plastic. Plastic became my medium.” There is a celebration of the ordinary, both “the everyday object and the common experience” in Baxter&'s work. In the plastic vacuum-forms, the plastic “transforms, intensifies, and yet embalms these items of daily life, presenting them both as artefacts and as a commercial display.”

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Iain Baxter&
(1936)

Iain Baxter& is a prominent Canadian conceptual artist. Born in Middlesborough, England, he arrived in Canada with his parents in 1937. He earned a BSc in Zoology and Master of Education at the University of Idaho, and an MFA at Washington State University in 1964. He studied art and aesthetics in Japan, where he was based out of Kyoto University. He lived in Calgary before settling in Vancouver in 1964 where he taught at U.B.C.

In 1965 he created the trade mark name N, E. Thing Co., for a wide variety of innovations of inflated landscapes, vinyl-bagged air, water, wood, earth and photographs of various aspects of man’s quest to produce synthetics or ability to package anything for sale, including natural resources.

He legally changed his name from Baxter to Baxter& in 2005 to emphasize the importance of collaboration and audience participation to his work. He is an environmental activist and often uses environmental issues as central themes in his work. His art can be found in permanent collections including the National Gallery of Canada, the Art Gallery of Ontario, the Museum of Modern Art, the Los Angeles County Museum, the Detroit Institute of Art, the Montreal Museum of Fine Arts, and the Vancouver Art Gallery, among other internationally recognized institutions.

Sources: "A Dictionary of Canadian Artists, Volume I: A-F", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1977