Posted by & filed under Consignor Updates, How to, Sale Updates.

Within the broad practice of printmaking are several distinct techniques, many of which are included in the Consignor September Auction.

Consignor’s current Online Auction of Canadian and International art, consisting of 239 lots, offers a vast range of artwork for sale in various media – oil paintings, photography, sculpture and prints.

Collecting prints is an excellent way to start or build a comprehensive art collection, as well as a way to familiarize oneself with styles and artists at a more accessible price point than other mediums.

Rita Letendre, SharasMany artists of the Post-War period embraced printmaking, creating images of their modern compositions in multiple copies. Leader of the abstract colourist movement, Rita Letendre produced many silkscreen prints, such as Sharas, lot 56. Also known as serigraphy or screen printing, the silkscreen process consists of a stencilled image placed in a frame, which has a layer of mesh stretched across it, forming a ‘screen’. Ink is then pushed through the stencil onto a sheet of paper. Dating to 1973, Letendre’s Sharas serves as a prime example of her signature style of hard-edge abstraction.

Jean Paul Riopelle, Les Oies IILithography has also been a popular printmaking method among 20th century Canadian artists. Jean Paul Riopelle frequently worked in this medium, creating abstract and quasi-abstract images such as Les Oies II, lot 58 in the September auction. In this process the artist draws an image onto stone with a grease-based medium, then applies ink to the stone, which adheres only to the image. The stone is then run through a press onto a sheet of paper. The online auction features two lots of rare black and white lithographs by Henri Masson of Quebec village scenes. These charming prints, lots 91 and 92, are examples of the artist’s very limited body of work in printmaking.

Ed Bartram, CycleA very old form of printmaking that is still used today is etching. Using a needle, the artist scratches a composition onto a metal plate covered with wax. The plate is then submerged in acid, which eats into the metal exposed by the scratched lines. Etching has often been used to achieve very delicate black and white images, such as lot 155 by Caroline Armington, a pair of etchings depicting two of Paris’ famous bridges. A more contemporary rendering of the etching technique is lot 54, Cycle by contemporary Canadian artist Ed Bartram.

Harold Town, UntitledPurchasing prints at auction are also an excellent and accessible way to collect the work Canada’s most renowned artists. Lots 64, 81 and 90 by William Kurelek, Harold Town and Ted Harrison respectively, provide the opportunity to own a composition in these painters’ distinct styles, as their prints are more readily-available and affordable when compared to original works.

Consignor’s September Auction of Canadian and International art includes many excellent examples of traditional printmaking methods used by Canadian artists. Buying prints at auction is also a fantastic platform for the emerging collector. Visit our website and view our full online catalogue for more details on the available works and upcoming sales.

Posted by & filed under Consignor Canadian Fine Art News & Press, Consignor Updates, Consignor Videos.

Posted by & filed under Consignor Updates, Sale Updates.

Records Broken & New Traditions Established for Consignor This Season

Old Orchard, a major 1940 painting by Franklin Carmichael was sold for $475,000 during the spring auction season, the highest price paid for the painter’s work in eight years and one of the highest values ever achieved for the painter’s work by an auction firm.  The price was just one of the many highlights encountered by Consignor Canadian Fine Art this spring.

The Spring Live Auction of Important Canadian Art, held May 25th, was an evening of new traditions and continued success for Consignor, the auction establishing strong prices for historical, post-war and contemporary works of quality and rarity.  The auction was held for the first time at Toronto’s Gardiner Museum, the downtown venue filled to capacity with an electric environment of excitement palpable from the drop of the hammer on the first lot sold.  The classy and cozy setting was instantly popular with clients, paddles comfortably waving in the air throughout the night.

Excited bidding participation came through not only in the room, but through spirited telephone and absentee bidding, pushing choice artworks well beyond expectation.  Drawing strong reaction from the room was the sale of Three Black Cats, the small oil painting by Nova Scotia folk artist Maud Lewis fetching a record $36,800 (prices posted include applicable Buyer’s Premium), almost double the previous auction record and five times the presale estimate.  Appreciation for Atlantic Canadian artists continued with David Blackwood’s Fire Down on the Labrador selling for $48,300, doubling its estimate and marking the second highest price ever achieved for the iconic imagery created by the Newfoundlander printmaker.

Artwork by Tom Thomson and the Group of Seven continued to excited collectors during the spring season, with notable results including: Tom Thomson’s Fallen Timber (Algonquin) selling for $125,000; Edwin Holgate’s Autumn Leaves selling for $75,000; Madawaska, a 20 x 26 inch canvas by A.Y. Jackson fetching $69,000; A.J. Casson’s captivating Old Hotel, Elora selling for $36,800 while Casson’s Byng Inlet fetched $29,900.  Works on paper by the Group saw record prices set with Lawren Harris’ Snow-Covered Trees more than doubling its estimate to reach $50,600 and A.Y. Jackson’s Gulf of St. Lawrence selling for $14,950, both auction records for works on paper by the artists.

Further historical highlights displayed a love for portraiture from collectors this season with an enchanting Jean Paul Lemieux portrait fetching $48,300; Randolph Hewton’s Portrait of Thomas Archer Esq. selling for $14,950; and Hal Ross Perrigard’s Vere reaching $10,925, each exceeding their pre-sale estimate.

Post-War and Contemporary Canadian works performed notably during the May 25th live auction with: Ted Harrison’s The Grecian House (Dawson City) selling for $34,500, Sorel Etrog’s “Ferrari red” Sadko fetching $27,600, Paul-Émile Borduas’ Abstract Composition watercolour reaching $21,850 and Rita Letendre’s L’Enchenteur selling for $17,250.

The May live auction was surrounded by Consignor’s March and June Online Auctions, sales which are carefully catered not only to established collectors looking to supplement their existing collections but also to new collectors who continue to hunt for gems to create an assemblage.  Feverish online bidding led to collectors across Canada and beyond being awarded notable works of art by A.J. Casson, J.W. Beatty, Manly MacDonald, H.S. PalmerAlan Collier, Yvonne McKague HousserGoodridge RobertsJack Bush, Alex ColvilleNorval MorrisseauDavid Urban, Angela Leach, and Kim Dorland, among many others.

We extend our thanks to the consignors, buyers, bidders and clients who helped to ensure another season of success for Consignor Canadian Fine Art.  Preparation has already begun for our fall sales, including the Live Auction of Important Canadian Art (to be held on November 23rd at the Gardiner Museum).  We are currently accepting consignments for the upcoming sales and our team would be delighted to meet with you in our downtown Toronto gallery or during our national travels this summer.  The summer months feature a selling exhibition in the gallery and online, allowing clients the opportunity to consider a variety of work by Canadian artists, available for immediate sale (full listing available here).

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Edward Bartram, Island Cut, Moose Bay

June Online Auction Open For Bidding Between June 7th and 14th

Angela Leach, AR Wave 37Consignor’s June Online Auction of Canadian and International Art begins this week with 266 lots forming a second session to follow our May 25th live auction. Our two live auctions each year adhere to the global tradition of showcasing the highest valued works in the months of May and November; this is when we see headlines about the record sales in London and New York of paintings for millions of dollars each. As a result, the reputation of auction houses is often misconstrued, and many people develop a tendency to associate auctions as being far from accessible to the majority of art collectors. However, this is certainly not always the case. Our online sales, such as the current June auction, provide an excellent opportunity to purchase artworks in a variety of styles and price ranges – an ideal platform for starting or building an art collection.

 

John Anderson, Track Down to the Ripe Barley

One of the most consistent subjects of artwork we receive on consignment is the Canadian landscape. Our firm offers many picturesque scenes of the country’s wilderness in traditional renderings by historical artists, as well as contemporary depictions of Canada’s terrain.  Stunning prints by Edward John Bartram (b. 1938) provide a fresh take on the classic Group of Seven subject of Georgian Bay. Lot 264, entitled Island Cut, Moose Bay is a hand-coloured etching with a dramatic perspective of the shoreline and jewel-toned blue colour palette. Bartram is a living artist based in Toronto, whose work frequently is exhibited and sold in galleries, and at gallery – ie. retail – prices. When his work comes up at auction, estimates reflect the fair market value, which provides the opportunity to own a framed artwork at a highly affordable price. Other contemporary landscape artists whose work trades at the gallery level as well as at auction are David T. Alexander (b. 1947) and John Anderson (b. 1940). The two artists create modern and colourful renditions of the Canadian landscape, often in a large-scale format, such as lot 254, Alexander’s semi-abstract Rocky Mountain Lake and lot 370, Anderson’s Track Down to the Ripe Barley in cheerful shades of green.

Jack Bush, Cross OverA speciality at Consignor is post-war abstract art, a movement in Canadian art that paralleled the aesthetic tendencies of the American Abstract Expressionists and Colour-Field painters of the 1950s and 1960s. We have a selection of six abstract prints by the prolific artist Jack Bush (1909-1977) in our June auction, such as lot 263, Cross Over, with his distinctive vibrant colour palette. Bush was a founding member of Painters Eleven, a Toronto artist group whose objective was to promote abstract painting in Canada. La Plonge #8, lot 244 in our June auction, is a colour lithograph by William Perehudoff (1919-2013), who was another central figure in Canadian abstraction, since the 1960s. A Saskatchewan native, the effect of the flat plains and open skies of the prairies are alluded to in many of his abstract works such as this one. An example of a more recent style of abstract art is lot 249 AR-Wave #37, painted in 2001 by Angela Leach (b. 1966). A contemporary artist based in Toronto, Leach explores the possibilities of Op Art, a style of visual art that uses optical illusions, giving the viewer the impression of movement and vibrating patterns. Consignor frequently offers many abstract works of art, dating from the 1950s to today, that serve as perfect examples of artwork that can be effortlessly incorporated to homes with modern decor.

 

Alex Colville, Prize CowWe also offer other popular subjects including still lifes, portraits, and street scenes. Lot 226, Chestnut Street by Albert Franck (1899-1973) presents a charming view of the quintessential residential streets in downtown Toronto. Our online auctions include art in a variety of media, such as oil paintings, sculpture, works on paper, photography and posters. Purchasing prints at auction are an excellent and accessible way to collect the work of very well-known Canadian artists. Lot 253, a serigraph entitled Prize Cow by Alexander Colville (1920-2013), provides the opportunity to own an image of the painter’s distinct realist style, as his prints are more readily-available and affordable when compared to his oil paintings.

 

Consignor’s online auctions offer an optimal venue for the emerging collector. Our sales provide a vast and ever-changing selection of artwork that fits your price range, personal taste and home decor. The quality and value of artworks offered at auction can be far superior to something of the same price at a commercial gallery or retail store. The concept of collecting art does not have to be intimidating and it is much more accessible than you think!

  • David Alexander, Rocky Mountain Lake
  • William Perehudoff, La Plonge #8
  • Albert Franck, Chestnut Street
  • Angela Leach, AR Wave 37
  • Alex Colville, Prize Cow
  • Jack Bush, Cross Over
  • John Anderson, Track Down to the Ripe Barley
  • Edward Bartram, Island Cut, Moose Bay

Posted by & filed under Consignor Canadian Fine Art News & Press, Consignor Updates, Consignor Videos, Sale Updates.

Posted by & filed under Consignor Canadian Fine Art News & Press, Consignor Updates, Sale Updates.

Franklin Carmichael, Old Orchard (1940)

(Toronto – May 2, 2017) Two celebrated artworks by Group of Seven painter Franklin Carmichael are the centerpiece to Consignor Canadian Fine Art’s upcoming Spring Live Auction of Important Canadian Art taking place May 25th at the Gardiner Museum, Toronto. A large-scale oil painting, Old Orchard (1940), will make its auction debut having been privately owned by the family of Herbert Laurence Rous, founder of the renown Rous and Mann printing studio where many of the Group of Seven artists began their careers.

The iconic image depicting a neighbour’s orchard, painted from the view of his studio in present-day North York, Ontario, was used as the catalogue cover for Carmichael’s memorial exhibition at the Art Gallery of Toronto (now the AGO) and the Summer 1947 issue of Canadian Art Magazine, following his death. This will be the first time Old Orchard will be on the auction block (estimated between $500,000 – $700,000); however, given its significance, quality and rarity, the artwork is expected to challenge the current record for a Carmichael painting (Frood Lake sold at auction in December, 2002, for $915,000 including buyer’s premium).

As the youngest original member of the Group of Seven, Carmichael is also considered one of Canada’s most renowned watercolourists of the twentieth century. Consignor’s auction also includes a stunning watercolour, The Bay of Islands (1929) estimated at $150,000 – $200,000, a sister version of Carmichael’s Bay of Islands that is part of the Art Gallery of Ontario’s permanent collection.

“Franklin Carmichael’s accomplishments in oil and watercolour are recognized as some of the greatest work produced by the Group of Seven. Both Old Orchard and The Bay of Islands illustrate Carmichael’s mastery of the two media, setting him apart as one of Canada’s preeminent painters,” says Rob Cowley, President of Consignor Canadian Fine Art. “Old Orchard has stood as an example of Carmichael’s best work through its exhibition history over the past 80 years, and we are very excited to be hosting this major work at auction for the first time.”

Consignor’s Spring auction will also offer two important works by Tom Thomson painted in his early career. A modestly-sized oil on canvas, Road Near Leith (1908), estimated between $100,000 to $150,000, was painted at the start of the decade which would see his transformation into one of Canada’s greatest painters; and Fallen Timber (Algonquin) (1912), estimated at $150,000 – $200,000, was painted the first year that Thomson visited Algonquin Park where his most iconic works would be created, and ironically the site of his untimely death in 1917, exactly 100 years ago this July.

“It’s an incredible time for Canadian art as we celebrate our country’s sesquicentennial, alongside unprecedented growth and global attention for painters such as Tom Thomson, Lawren Harris and the Group of Seven and now a feature film about Maud Lewis’s life — combining to reinvigorate the public’s fascination and appreciation for Canadian artists,” says Lydia Abbott, Vice President, Consignor Canadian Fine Art. “The Spring auction features artwork that spans the entire 150 years of Canada’s history and presents a rich narrative of our cultural fabric.”

Other notable Canadian works of art that will be highlighted in Consignor’s live Spring auction include:

  • A.Y. Jackson, Madawaska, 20” x 26” oil on canvas (auction estimate $60,000-$80,000)
  • David Blackwood, Fire Down on the Labrador, the artist’s most popular print (auction estimate $25,000-$30,000)
  • Lawren Harris, Snow-Covered Trees, 1929 gouache (auction estimate $15,000-$18,000)
  • Edwin Holgate, Autumn Leaves, 17” x 21” oil on canvas (auction estimate $90,000-120,000)

Live Previews are currently taking place at the Consignor Canadian Fine Art Gallery located at 326 Dundas Street West and viewable at Consignor.ca.  Consignor’s Spring Live Auction of Important Canadian Art will take place on Thursday, May 25th, 2017 at the Gardiner Museum located at 111 Queen’s Park, Toronto.

Since its inception in 2013, Consignor’s live and online auctions have included headline-grabbing works such as a rare 100-year-old Tom Thomson portrait (Daydreaming, sold for $172,500), an undiscovered William Kurelek (Ukrainian Proverb, sold for $41,400), and Jack Bush’s Summer Lake broke online auction records in May 2014 for the most expensive painting by a Canadian artist to be sold at an online auction ($310,500). Most recently, Consignor’s inaugural live auction event in May 2016 set the record for the highest-selling Algoma sketch by Lawren Harris, fetching $977,500; tripling the previous auction record.

Consignor Canadian Fine Art is currently accepting consignments for its upcoming auctions, including the June Online Auction of Canadian and International Artwork, with bidding open at consignor.ca from June 7-14, 2017. Consignor offers all-inclusive selling commissions and the lowest buyer’s premium in the industry. Those interested in consignment can arrange a complimentary and confidential consultation by contacting Consignor’s specialists at 1-866-931-8415 or [email protected]

Posted by & filed under Consignor Updates, Sale Updates.

Our Spring Live Auction of Important Canadian Art includes a number of portraits by artists from a wide array of backgrounds. In certain works, importance is placed on the sitter’s identity, while in others the model is secondary to a particular sentiment or underlying message. Media and formal qualities such as colour scheme and brushstroke application also play a role in the artist’s intentions for presenting a human figure in a work of art.

The longstanding practice of portraiture was historically intended for documenting and memorializing the rich and powerful. Prior to the invention of photography,  a painted, sculpted, or drawn portrait was the only way to record one’s appearance. Customarily, most completed works consisted of a serious, closed-lip stare, rarely demonstrating any emotion beyond a slight smile. In most cases the artist’s objective was to capture the inner essence of the subject – the expression of character and moral quality, as opposed to anything superficial or temporary. Following the invention of photography and developments in modern art, portraiture has evolved as a practice to be much more liberated for personal expression and experimentation.

The artists whose portraits are featured in our Spring Live Auction had the freedom to portray their subjects in their own individual style and for whichever purpose they chose. This blog entry takes a closer look at what makes a selection of six of these artworks significant and what differentiates them from one another, as I believe portraits can be better and further appreciated when a context is provided.

Lot #28

William Goodridge Roberts

Seated Nude (Joan)

oil on canvas

signed and dated “May, 1955″ lower right

32 x 25 ins (81.3 x 63.5 cms)

Estimated: $14,000-18,000

Goodridge Roberts (1904-1974) was known for landscapes, portraits and still lifes with vivid colours and expressive brushstrokes. The identity of the sitter is particularly pertinent in this example of the Roberts’ work, as she is the artist’s wife. Painted in 1955, the artwork was acquired by the current owner directly from Mrs. Roberts in 1977. Joan’s relaxed pose, together with the casual interior setting with loosely draped fabric, alludes to a strong sense of intimacy in the picture; this is reinforced by our knowledge of the relationship between the sitter and the artist.

 

Lot #29

Jean Paul Lemieux

Dame au collier de perles

oil on canvas

signed lower right; titled on the stretcher

20 x 16 ins (50.8 x 40.6 cms)

Estimated: $30,000-50,000

Dame au collier de perles illustrates Jean Paul Lemieux’s ability to highlight human emotion and facial expression. Arguably the most famous Quebecois artist, Lemieux’s (1904-1990) portraits were often influenced by Edvard Munch and the Expressionist school of painting, as they evoke anxiety and the artist’s dark and tragic vision. The unidentified sitter’s powerful stare directly at the viewer exudes anxiousness and vulnerability; it is contrasted, however, with an ornate three-strand pearl necklace and glamorous red dress. A woman wearing a necklace became a recurring motif in Lemieux’s portraits, referencing the popular theme of feminine vanity in Western painting.

Lot #49

Joe Fafard

Painter and His Model (Egon Schiele)

chemical patina on bronze

signed, dated 2015 and numbered 1/3

28.5 x 10 x 10 ins (72.4 x 25.4 x 25.4 cms) (overall)

Estimated: $12,000-16,000

Contemporary sculptor Joe Fafard (b. 1942) created his ‘Mes Amis’ series as a tribute to those who have inspired him in his own artwork, whether it be artists, friends or family members. Exhibited in 2015 at the Slate Fine Art Gallery in Regina, the series included sculptures of several 19th and 20th century artists, such as Emily Carr, Michael Snow, Georgia O’Keeffe, and in this case, Egon Schiele. Fafard depicts the Austrian painter Schiele, who is known for his nude figural works and self-portraits, standing with a naked man hugging him from behind, thus forming “The Painter and His Model.”

Lot #63

Evan Penny

L. Faux

plaster sculpture, mounted on a wood frame

43 x 36 x 12 ins (109.2 x 91.4 x 30.5 cms) (overall)

Estimate: $7,000-9,000

Contemporary artist Evan Penny (b. 1952) worked with FX Smith in Toronto in the 1990s, making prosthetics, body doubles and other props for a variety of films. This experience inspired his later three-dimensional works, notably this relief sculpture from the L. Faux series from 2000-2005. The production plaster explores the notion of blurring boundaries between the real and the replica in its extraordinary detail that creates a lifelike three-dimensional portrait of Libby Faux. Executed in high relief, the sculptural aesthetic of L. Faux reminds us of the white marble portrait busts of Ancient Rome.

 

Lot #91

Randolph Hewton

Portrait of Thomas Archer, Esq.

oil on canvas

40 x 33 ins (101.6 cms x 83.8 cms)

Estimated: $6,000-8,000

A Montreal native who studied in Paris, Randolph Hewton (1888-1960) was a pioneer of Modernism in Canadian painting of the early twentieth century. Portrait of Thomas Archer, Esq. was likely a commissioned work and demonstrates Hewton’s modernist take on the traditional practice of portraiture. The sitter’s attire suggests a formal or professional demeanor, though his cross-legged pose with a book on his lap and cigarette in his hand indicates a more casual or ‘modern’ tone to the painting. Hewton’s use of vibrant colours were at first controversial in Canada, as he had adopted this palette from the European Avant-Garde while in Paris from 1908 to 1913.

 

Lot #108

Marc-Aurèle Suzor-Coté

Portrait of a Woman

oil on canvas

signed lower right

13 x 12 ins (33 x 30 cms)

Estimated: $5,000-7,000

Marc-Aurèle Suzor-Coté (1869-1937) was a famous French-Canadian artist known for his landscape paintings as well as portraits of their rural inhabitants. The artist had a deep respect and empathy for his sitters, as emphasized in this portrait of a peasant woman in profile. Suzor-Coté was influenced by 19th century French Realist artists such as Jean-François Millet. The Realists had the controversial objective to place importance on the working-class and elevate their status as worthy subjects for portraiture – which had traditionally been reserved for the wealthy.

Posted by & filed under Consignor Updates, How to, Sale Updates.

Ghitta Caiserman-Roth, Lanterns

With 262 lots in our March Online Auction of Canadian and International Art, we see artwork for sale with a very large range in value. Although the covetable A.J. Casson and Albert Henry Robinson oil paintings garner much attention from seasoned collectors, it is worth noting the remarkable value and quality of the many more modestly priced artworks for sale. While estimates range from $50 to $15,000, there can be a tendency to believe that only the high-profile items are relevant and worthy of attention within the art market. There is also a misconception that art auctions do not offer anything affordable to begin with. The reality is that art of good quality and value can be found at any price, and an art auction can be the ideal place to find it.

If you have an interest in starting an art collection, an auction is a perfect place to do so and should not be intimidating. The quality and value of the lower estimated artworks can be far superior to something of the same price at a commercial gallery or retail store. I have compiled a selection of nine noteworthy artworks from our March online auction, in a variety of styles and mediums, each of which are estimated to sell for below $1000. As a young professional in the art world, I would like to demonstrate that it can be accessible to all, regardless of one’s budget. The concept of building an art collection does not have to be so far out of reach.

A few things to keep in mind: The estimate is our prediction of the selling price based on previous sales of similar works at auction – however, it is possible for the work to sell for below or above the estimate. Also note that a buyer’s premium of 15% and applicable taxes are added to the final selling price of an artwork. All of the following artworks are framed, avoiding any extra costs and making it easy to instantly hang up on a wall.

 

Conyers Barker, Toronto Skyline

Lot #30
Ernest C. Barker
Toronto Skyline
oil on board
signed and dated ‘28 lower left; signed, titled and dated 1928 on the reverse
8.5 x 10.5 ins ( 21.6 x 26.7 cms )
Estimated: $300.00 – $500.00
For the Toronto native or admirer of architectural history, this original oil painting illustrates a very early view of Toronto’s skyline – dating to 1928. The semi-abstract composition in mint green and lavender provides a rare depiction of Toronto from a past time.

 

Ghitta Caiserman-Roth, LanternsLot #90
Ghitta Caiserman-Roth
Lanterns
oil and gouache on masonite
signed and dated 50 lower right
22 x 54 ins ( 55.9 x 137.2 cms )
Estimated: $500.00 – $700.00
For the year 1950, the artwork has a very contemporary aesthetic to it, in the quasi-abstract lanterns and moody colour scheme. A Montreal native, Caiserman-Roth studied at the Parsons School of Design and Art Student League in New York, as well as the Musee des Beaux Arts in Montreal.

 

A.J. Casson, Oriental PoppiesLot #132
A.J. Casson
Oriental Poppies
linocut
signed, numbered 27/30 and dated 1986 in the lower margin
7 x 7.5 ins ( 17.8 x 19.1 cms ) ( subject )
Estimated: $400.00 – $600.00
Casson was a prominent member of the renowned group of Seven, the most internationally recognized association of Canadian artists. While his oil Sombre Day, Lake of Bays is the highest valued artwork in the March auction, the prolific artist produced numerous prints which sell for a more modest price. The brightly coloured flowers of this linocut has a fresh, modern palette and Pop Art quality to it.

 

 

W. Kurelek, The SlamLot #143
William Kurelek
The Slam
colour lithograph
signed within plate; signed and numbered 96/225 in the lower margin
12 x 9.5 ins ( 30.5 x 24.1 cms ) ( subject )
Estimated: $400.00 – $600.00
For the sports fan, Kurelek’s lithograph is a playful, whimsical rendition of a mixed-doubles tennis match. A very popular artist whose original works sell for high prices, Kurelek’s prints are still very much in demand, though at a much more affordable price range.

 

 

 

 

N. Morrisseau, Shaman Astral Guide IILot #161
Norval Morrisseau
Shaman Astral Guide II
colour serigraph
signed, titled and numbered 91/220 in the lower margin
29 x 13 ins ( 73.7 x 33 cms )
Estimated: $300.00 – $400.00
A self-taught painter, printmaker, and illustrator, Morrisseau’s colourful images depicting First Nations subjects were initially criticized in the Native community for its disclosure of traditional spiritual knowledge. Morrisseau came to develop a very strong reputation, completing many commissions including the Indians of Canada Pavilion at Expo 67. This large serigraph offers a very colourful addition to a room, along with carrying cultural significance.

 

 

 

J. Hinton, Brooklyn Bridge DoubleLot #172
Jane Hinton
Brooklyn Bridge Double (1994-99)
silver print
edition 1/10
14 x 40 ins ( 35.6 x 101.6 cms )
Estimated: $400.00 – $600.00
A contemporary Toronto photographer, Hinton has exhibited internationally and her work is found in numerous collections around the world. The artist is particularly fascinated by bridges, with Brooklyn Bridge Double (1994-99) being an example. Hinton’s work is currently for sale at an art gallery at much higher prices.

 

E. Bartram, Island Cove, Georgian BayLot #174
Ed Bartram
Island Cove, Georgian Bay
etching with hand colouring
signed, titled, dated 1998 and inscribed VE 1/10 in the margin
25.5 x 31 ins ( 64.8 x 78.7 cms )
Estimated: $500.00 – $700.00
Ed Bartram provides a very contemporary take on the Group of Seven’s favourite subject: Georgian Bay. The large size, brand-new frame and jewel-toned blues make this etching an eye-catching addition to any room and art collection.

 

 

F. Armington, Monte CarloLot #201
Frank Armington
Monte Carlo
watercolour
signed lower right, titled and dated 1919 lower left
15.5 x 12.25 ins ( 39.4 x 31.1 cms ) ( sight )
Estimated: $600.00 – $800.00
Armington is a Canadian born and raised artist, although the majority of his work depicts European scenery. Based in Paris from 1905 to 1939, the artist portrayed French urban and rural landscapes in a variety of mediums, including etchings, lithographs and watercolours.

 

 

 

 

K. Saito, Girl With CatLot #217
Kiyoshi Saito
Girl with Cat
block print
signed in lower margin
5 x 7.25 ins ( 12.7 x 18.4 cms ) ( subject )
Estimated: $300.00 – $400.00
This adorable woodblock print seems to speak for itself. Saito was one of the first Japanese printmakers to have won at the Sao Paulo Biennale in 1951.

Posted by & filed under Consignor Updates, Sale Updates.

J.E.H. MacDonald, Tracks And Traffic, 1912Notable Works by the Group of Seven, Jock Macdonald and William Kurelek Also Perform Strongly at November 22nd Sale

A 1912 oil sketch by Group of Seven member J.E.H. MacDonald sold for $230,000 at auction on Tuesday night, including a 15 per cent buyer’s premium.

Tracks and Traffic was among several notable works up for sale at Consignor Canadian Fine Art’s fall auction. It had a pre-sale estimated value of between $200,000 and $250,000 not including the buyer’s premium.

Tracks and Traffic provides a glimpse of what Toronto looked like more than a century ago, depicting a scene from the Harbourfront neighbourhood during the industrial period.

MacDonald and Lawren Harris were close friends and the pair often painted together in Toronto. Tracks and Traffic was created months after the two artists met in late 1911 and eight years before the Group of Seven was formed.

Harris sketched the scene from another angle, suggesting that the two artists could have been together during the painting expedition.

MacDonald’s subsequent oil canvas based on the sketch was included in the Toronto stop of the Steve Martin-curated exhibit The Idea of North: The Paintings of Lawren Harris, which was presented at the Art Gallery of Ontario earlier this year as well as the Hammer Museum in Los Angeles and the Boston Museum of Fine Arts.

Other items up for sale included works from the Group of Seven, Jock MacDonald and William Kurelek.

An important canvas by Painters Eleven founding member Jock MacDonald, Daybreak from his Modality series, sold for $69,000.

An oil on panel by Group of Seven member Franklin Carmichael, owned by a descendent of the artist, Bracken, Lansing sold for $69,000.

A work by William Kurelek, Candy Floss Clouds, sold for $34,500.

A charming 1907 painting of a mother and child by J.E.H. MacDonald titled A Hill Path, High Park sold for $27,600. The painting is believed to have been a gift from MacDonald to Albert H. Robson, a Canadian art author, historian and former vice-president of the Art Gallery of Toronto (now the AGO) more than a century ago.

Press Coverage:

CBC

680 News

CTV