Artwork by Emily Carr,  Klee Wyck Paperweight with Dogfish Design
Thumbnail of Artwork by Emily Carr,  Klee Wyck Paperweight with Dogfish Design Thumbnail of Artwork by Emily Carr,  Klee Wyck Paperweight with Dogfish Design Thumbnail of Artwork by Emily Carr,  Klee Wyck Paperweight with Dogfish Design Thumbnail of Artwork by Emily Carr,  Klee Wyck Paperweight with Dogfish Design

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Consignor Canadian Fine Art
326 Dundas St West
Toronto ON M5T 1G5
Ph. 1(416)479-9703

Lot #51

Emily Carr
Klee Wyck Paperweight with Dogfish Design

painted ceramic sculpture
0.75 x 1.75 x 1.75 ins ( 1.9 x 4.4 x 4.4 cms )

Estimated: $1,500.00 - $2,000.00

Provenance:
The Estate of Murray Waddington, Ottawa
Sale Date: May 29th 2018

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Preview this item at:

Consignor Canadian Fine Art
326 Dundas St West
Toronto ON M5T 1G5
Ph. 1(416)479-9703


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Emily Carr
(1871 - 1945) Canadian Group of Painters

Carr was raised as the youngest of three sisters in a traditional Anglo-Saxon household in Victoria, B.C.. Despite Carr's notoriety for being a strong-willed eccentric, she gained the respect and admiration of Group of Seven members, especially Lawren Harris. Carr and Harris exchanged letters often and she felt he was one of the only people who she could speak freely with about art, nationalism, theosophy and spirituality. Along with several members of the Group of Seven, Carr was one of the founding members of the Canadian Group of Painters.

Educated at the San Francisco School of Art (1889-1895), Westminster School of Art in London (1899-1904), and in Paris (1910-11), Carr introduced French Modernism to British Columbia. The fauvist aesthetic Carr had adopted while abroad was far from the traditional landscape paintings that dominated the western Canadian art scene at the time. Her use of bright colours and her disinterest in detail was so new to Victoria that she did not gain much local appreciation until her later years. Despite her lukewarm praise at home, Carr received generous reviews in Paris and this kept her motivated. English teacher Ira Dilworth, American abstract painter Mark Tobey, and art dealer Max Stern were some of Carr's key supporters and who recognized her contribution to the Canadian art scene. Eventually, the inspiration she drew from European avant-gardism melded with the graphic simplicity and symbolism of Native American totems to create some of her best known artworks.